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Vicissitudes

by George Sarah

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Josephine 04:59
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Vicissitudes 02:36
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about

Vicissitudes comprises music from two very different recent film scores. The first is inspired by Carl Theodor Dreyer’s silent classic ‘The Passion Of Joan of Arc’ (1928 film). Sarah was on tour with a nine piece ensemble consisting of a string quartet, synthesizers and singers throughout North America in 2019-2020 performing at film festivals and performing art centers prior to the lock down. The second is a feature film ‘Her Name Was Jo’ released April, 2021. For the score Sarah assembled a quartet of musicians to record his Americana, Shoe-gaze, Post Rock and Ambient material. Vicissitudes connects two film soundtracks and combines elements of electronic and acoustic, early music and modern classic with a minor key introspection.

credits

released April 23, 2021

All Pieces Composed/Arranged by George Sarah-Synthesizer, Bass Guitar, Piano

1. St Catherine - (Et Dórmiunt In Somno Pacis) Pt 2
(Rigby Jones-Vocals)
2. Who Sleep The Sleep Of Peace 'Sorrows Version’
3. Josephine
4. Apparition Chamber Pt3
(Fred Bows-Violin, Miguel Atwood-Ferguson-Viola, David Mergen-Cello)
5. Vicissitudes
(Morgan Lee Gerstmar-Viola, Violin)
6. Vicissitudes Of Color
(Morgan Lee Gerstmar-Violin)
7. Rectitude Of Mind
(Daniel Coffeng- Guitars, Brock Bowers-Drums Percussion)
8. Vicissitudes Of Being
(Daniel Coffeng- Guitars, Brock Bowers-Drums Percussion)
9. The Struggle with Stillness
(Daniel Coffeng- Guitars, Brock Bowers-Drums Percussion)
10. Vicissitudes Of Memory
(Morgan Lee Gerstmar-Violin)

Released through Gothic Karen Recordings.

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George Sarah Los Angeles, California

George Sarah is an Electronic composer and multi-instrumentalist. Former member of T.H.C. (Buffy The Vampire Slayer) and Stereotaxic Device (KK Records Belgium). Born in Seoul, South Korea, he moved to the US at the age of five. He has garnered critical acclaim for his unique brand of electronic acoustic music bridging the normally discrete musical worlds of electronic, industrial and classical. ... more

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